It's easy to get the best from your Harbeths...

Here at Harbeth UK we are dedicated to reproducing the musicality and warmth of natural sound. With careful use, our loudspeakers will give you many years of listening pleasure, and time will prove your new speakers to be the ultimate audio investment.

I warmly welcome you as a customer and encourage you to join the Harbeth User Group and share your experiences with other Harbeth owners who, like you, are serious about high fidelity natural sound.

Introduction

Harbeth loudspeakers are precision instruments. Crafted from aomplex interplay of natural and man made materials, every small detail of these speakers exists for a specific acoustic purpose. The incredible resolving ability of the fresh, clean Harbeth sound is the result of high-tech science combined with traditional craftsmanship. After exercising your new Harbeths for just a few hours, they will be fully ready for a lifetime of unbeatable performance.

This manual makes a few suggestions for how to extract the best possible performance from your audio system.

Your experience must guide you, and ultimately what matters is what sounds best to you in your room, with your music, your taste and your equipment. Don’t hesitate to turn to the Harbeth User Group for help and advice.

Musical appreciation is an ongoing relationship among performers, recording engineers, equipment designers, you and your audio dealer. Your dealer is ready to help you to get the best from your hi-fi and has the time and the skills to experiment. Keep an open mind as to new musical avenues, equipment and accessories. Above all, trust your own ears!

Stands

Harbeth speakers are at their best when used off the floor and as far as possible away from adjacent surfaces on stands made from a rigid and non-resonant material. If you have children or animals at home be sure to put safety first as our speakers are heavy. The top-plate of the stands must be adequately large and the stands themselves robust and stable to prevent the speakers from toppling over and causing injury or damage. Speaker stands are ofen fitted with sharp spiked feet that further improve stability.

Note: only use the absolute minimum amount of Blu-Tack as it will permanently bond to the veneer and cannot be removed.

Ideally, the stands should place the tweeter about level with your ear when seated at your usual listening position — the so-called ‘reference axis’ — where the frequency response is optimised for perfect integration of the sound waves from the drive units.

Tall stands lift the speaker farther away from the floor which adjusts the bass quality, but there is always a compromise involving the aesthetics of tall stands, the technically ideal listening height and stand stability. Although the reference listening axis is directly facing the front baffle, some users prefer both speakers toed-in towards the listening seat by a few degrees. Adjusting the toe-in alters the balance between the mid and high frequencies in your room according to your preference.

Amplifiers, cables and wiring-up

Electrical safety comes first!

Turn off your amplifier BEFORE making any changes to the wiring of your audio system or speakers.

Harbeths are designed to present an ‘easy’ electrical load to the amplifier and will work well with valve (tube), solid-state and digital amplifiers. Playing loudly in a large acoustically dry, well-furnished room will demand a powerful amp. Conversely in a smaller setting listening closer to the speakers, much less power will be needed. As an approximation, for normal domestic listening, an amplifier of about 45W into 8 ohms per channel rating is a good choice, and 100W into 8 ohm per channel would provide a reserve of power for the louder musical passages. Be aware that many amplifiers, regardless of power rating, have high input sensitivity with the potential for input clipping. Also, small amplifiers with limited power output may clip when driven hard, and as clipping can damage loudspeaker drive units our Warranty does not cover it. The amplifier’s performance can change over time, and it should ideally be tested and serviced periodically.

The amplifier’s volume control works much like a zoom lens and brings the performers closer to you as replay loudness increases. Every sound recording has an optimum replay loudness and it's loudness that sets the relative distance to the performers. The right loudness displays the tonal colours in their intended proportion. Listening at home at a responsible loudness of around 85dB is considered a sensible long-term hearing exposure level by health experts.

Harbeth speakers are uniquely optimised to sound full bodied and natural at safe listening levels so even late at night, with the volme turned down, they still sound engaging.

There are many differing views about interconnect and speaker cables. Your dealer can provide invaluable advice so we will leave you to explore that and concentrate here on the basics of hooking up your loudspeakers. Conventional QEDlike 79-strand cable (or similar) is all you need to get going. Thin, high resistance cables or exotic cables with a strange construction may exhibit high capacitance and inductance characteristics and definitely should be avoided as they will produce unpredictable results and could damage your amplifier. Where practicable use the same, shortest- possible cable lengths between amplifier and speakers routed to avoid the possibility of tripping and pulling the speakers off their stands. Your dealer will be pleased to make-up and supply cables at just the right length, terminated with the most suitable connectors for your equipment and can give you plenty of advice on cable selection.

The rear terminal panel of your Harbeth speakers carries red and black coded connectors. Some models feature four connectors (permitting a bi-wiring connection arrangement), so the upper pairs are connected internally to the tweeter via its crossover network and the lower pair to the woofer through its circuitry.

Most models have only one pair of red/black binding posts. The standard single-wiring connection method is the simplest, safest and quickest way of connecting your amplifier, as shown in Setup A.

Reportedly, the so-called 4mm banana plugs commonly used for connecting speakers to amplifiers can be confused with overseas two-pin mains plugs. Your dealer will be able to advise you whether or not 4mm speaker plugs are acceptable in your country. As an alternative, you can use spade connectors or with care, bare wire ends if the surplus wire is trimmed off. The signal wire connectors must not touch at any time, or the amplifier may be damaged.

It is extremely important to connect your Harbeths with the proper phase relationship between the left and right channels and in bi-wiring/bi-amping configurations additionally between the woofer and tweeter connections in each speaker. Wiring your speakers is much simpler if you select a clearly colour coded cable where the ‘hot’ (+) or ‘cold’ (-) conductors are unmistakably identified by colour, rib or printed stripe running along the sheath. Some cables only have a faint coloured identifier printed infrequently, so please take care. Incorrect connections will make natural sound reproduction impossible and could damage your amplifier. Always recheck the wiring before powering up the system after making any changes and look out for fine strands of wire that can stray between terminals and cause a short circuit.

Never allow a (+) conductor to touch (short) against a (-) conductor even for a second as some amplifiers cannot tolerate output short-circuits no matter how briefly.

Setup A - Single-wiring

Preferred standard method

Where four terminals are supplied, the bi-wire links must be fitted to bridge the speaker’s red-to-red and black-to-black terminals or where only two terminals are fitted, connect to your amplifier like this:

Setup B - Bi-wiring

For speakers with four rear terminals

First, remove the bi-wire links and connect two pairs of cables to each speaker. From the amplifier’s red (+) terminal run two conductors to both of the speaker’s red terminals. From the amplifier’s black (-) terminal connect to both of the speaker’s black terminals. You must identify with certainty the polarity of all the conductors at both ends of the cable to avoid confusion. Incorrect wiring will result in a short-circuit with potentially serious consequences for the amplifier. Bi-amping (not shown) is the most complex arrangement. It is essential to remove all four bi-wire links before setting-up for bi-amping, which mandates two absolutely identical and calibrated stereo amplifiers wired so that one complete stereo amplifier drives each loudspeaker i.e. the amplifier left channel drives the woofer and the amplifier right channel drives the tweeter.

The wiring is complex and the performance of the whole system entirely depends on amplifier characteristics and set-up.

 

 

Even the smallest variations in gain between the channels of a hi-fi amplifier may be enough to alter the relative balance between the bass/mid and high frequencies. Bi-amping your speakers is specifically excluded from Harbeth’s Warranty as it requires test equipment to set-up properly and strict attention to wiring. Your dealer can provide detailed advice on bi-amping or bi-wiring. When you have completed your installation, be sure to route the speaker cables carefully to prevent anyone tripping over them.

Speakers in the listening room

Speaker position

A sonic compromise should be reached between placing the speakers unobtrusively near walls or positioned farther out in the listening area. When a loudspeaker is close to a boundary wall (floor, ceiling or corner) the speaker becomes ‘acoustically coupled’ to the surface, just as if it is attached to it. The speaker then no longer operates in free space with a predictable frequency response, but with a sound output which is elevated in the low-mid frequencies. While not necessarily unpleasant, that will add a lushness to the lower registers. Well-stocked bookcases behind or beside speakers can significantly improve the low-frequency naturalness as can an asymmetrical placement of the speakers. Below is an example of a typical set-up.

Listening position

The ear does not like standing waves or echoes which you can identify by moving around your room and loudly clapping your hands. Parallel surfaces such as opposite walls, floor, and ceiling encourage and sustain problem frequencies and flexible plasterboard walls and wooden floors over cavities such as a basement or garage may resonate and cause a boom. Curtains, thick carpets, rugs and bookcases strategically positioned to minimise reflections in the room (see picture) can make a dramatic improvement in fidelity. Pleated curtains on tracks across windows or side walls are an excellent way of temporarily adjusting room acoustics.

Optimising your speakers in your room needs experimentation but the general rule is the more absorptive the room, the less the room influences the sound. In the middle and upper frequencies, conventional soft-fabric treatments are an easy solution to damping a ‘live’ room. Fortunately, the ear is forgiving of all but the most severe room acoustic problems.

Tone controls and modern digital signal-processing room correction systems can when used carefully, offer an effective solution to getting the best sound in your room, especially in the lower frequencies where domestic rooms have little absorption.

 

Recordings

What to listen for

Prepare yourself to hear details in even your most cherished recordings that you previously did not realise were there. A first class recording conjures up a vivid 3D holographic performance — a curtain of sound — between and beyond the speakers. Listen out for the way that the crystalline clarity of the Harbeth RADIAL™ cones transport you back in time and space to the recording venue. Be aware that most contemporary commercial recordings have been sonically processed to enhance their marketability and that this will be exposed by the greater resolution of your new Harbeth speakers. Many of the most natural sounding recordings and performances were produced years ago using simple equipment and one can forgive their technical limitations for the joy of the performance. Please share your choice of showcase recordings with us on the Harbeth User Group.

Care

For your Harbeths

To maintain your speakers occasionally wipe over the wood with a slightly damp cloth rinsed in a dilute detergent suitable for wood veneer. Do not use wax polishes. Please avoid direct sunlight, radiators, draughts, smoke, ozone and other chemicals on or near the cabinets.

The special protective Harbeth SuperGrilles™ should be fitted during listening; lightly brush them with a soft, dry paintbrush. Caution: Do not press or touch the drive units under or through the grille.

If necessary the bass unit can be cleaned after removing the grille with a photographer’s air-brush, never a cloth. Do not clean the tweeter units.

Registering

Your Harbeth speakers

Thanks to rigorous quality control in design and during production, Harbeth speakers will give a long, trouble-free service life if operated at a responsible volume level.

The ex-factory Warranty can be extended (subject to conditions) by Registering your speakers.

Finally, thank you! We wish you many years of great listening.