Since its inception ten years ago, the Harbeth User Group's ambition has been to create a lasting knowledge archive. Knowledge is based on facts and observations. Knowledge is timeless. Knowledge is human independent and replicatable. However, we live in new world where thanks to social media, 'facts' have become flexible and personal. HUG operates in that real world.
HUG has two approaches to contributor's Posts. If you have, like us, a scientific mind and are curious about how the ear works, how it can lead us to make the right - and wrong - decisions, and about the technical ins and outs of audio equipment, how it's designed and what choices the designer makes, then the factual area of HUG is for you. The objective methods of comparing audio equipment under controlled conditions has been thoroughly examined here on HUG and elsewhere and can be easily understood and tried with negligible technical knowledge.
Alternatively, if you just like chatting about audio and subjectivity rules for you, then the Subjective Soundings sub-forum is you. If upon examination we think that Posts are better suited to one sub-forum than than the other, they will be redirected during Moderation, which is applied throughout the site.
Questions and Posts about, for example, 'does amplifier A sounds better than amplifier B' or 'which speaker stands or cables are best' are suitable for the Subjective Soundings area.
The Moderators' decision is final in all matters regarding what appears here. That said, very few Posts are rejected. HUG Moderation individually spell and layout checks Posts for clarity but due to the workload, Posts in the Subjective Soundings area, from Oct. 2016 will not be. We regret that but we are unable to accept Posts that present what we consider to be free advertising for products that Harbeth does not make.
Hello, I am thinking of trying the HL-3P-ES for my small room (18' x 15' approx.), to be driven by a Naim CD5X and Nait 5i amp. My ears are very sensitive to high-frequency sounds (I don't like "brightness") and I like accurate, "present" midrange (voice, flute, piano etc.) Big bass isn't an issue - I have neighbors who I'd like to stay on good terms with. How might this work out?
Wonderfully! They're very fine 'speakers, which match your requirements perfectly. They can be easily driven by 20 or so watts, and they're completely non-fatiguing, crystal clear and very musical. They're also very handsome to look at....
Re: "Which Harbeth is best for me?" New users ask ...
Rabbit, don't be afraid to use Harbeths for Rock music. I feel there is an unfair view in some circles that Harbeths are unsuitable for rock, and I totally disagree with that. I listen to 95% rock music and find that my C7s are outstanding . Oasis is my favorite band and Harbeths can give you every bit of Liam that you can handle.
If anything I feel that Harbeths are better than many speakers for rock because their relaxed nature allows me to get a bit aggressive with the volume without the massive fatigue that other speakers give.
Re: "Which Harbeth is best for me?" New users ask ...
Hello again, Rabbit here...
...Hurrrah!! I'm hopping down to Portland (Stereotypes Audio) to hear some Harbeths (and some BBC-style Spendors, truth be told) on Friday; I'll be hearing the Compact 7, Monitor 30 (well, can't afford that one)...pity they don't have the HL-P3ES, that's the truly Rabbit-sized one.
Finally, will get to hear the sound I've read about so much! Will be taking my chequebook along, as well as CDs of the Brandenburgs, Led Zeppelin II (look out woofers!), some Moody Blues (Rabbit's favourite), Beatles, Ravi Shankar, Chet Baker, Pink Floyd, Beethoven, Bill Frisell...
HL C7 ES3's (#'s C7 221R/L) are now in my little space, spinning the Beatles (which is a good way to start, innit?) I got 'em reasonably, as they were demos at the shop, and are missing one of the little plastic Harbeth badges from the upper left corner of one speaker :-( (does Harbeth sell replacements?)
I tried some little Spendors at the shop yesterday but, although they were good, when I heard the C7's I fell over. Hearing music through those, in that room, was like seeing a 70mm print of Lawrence Of Arabia in the theatre, as opposed to watching it on a little CRT television. With no fatigue at all, running off Naim gear (like what I have).
My only problem is, they're on wobbly old 18" ADS stands here at home, so some of the bass and big-ness is missing. Shopping for stands begins today!
1. I noticed in looking at pix of C7's here and elsewhere, that the Harbeth badge on the speakers' grille is sometimes on the left (the ES3?), sometimes on the right...I saw one where the badges were left and right on a pair. Is this just a difference in versions?
2. I'm missing the badge on my 'right' speaker (they're ex-dem, dented but lovable), and I've messaged the firm about a replacement. I'm presuming that the badge, when I get it, goes on the upper left corner. Is this so?
3. What sort of adhesive or other gooey stuff should I use to stick it on the grille-cloth?
p.s. Oh, these ES3 speakers sound rather good. Fatigue non-existant. I'm still adjusting my ears to the sound, in this room; on some CDs, things sound (initially) a bit 'veiled', and then I notice I'm merely hearing the frequency spread and detail in a more balanced way. This is because, I suspect, I'd been assaulting my ears with the tilted-up, 'forward' sound of 'audiophile' speakers for years...
The 'theme' of Compact 7's? "Welcome; come in and listen to some music..."
The badges are in the upper left on the left speaker and upper right on the right speaker.
Use a double sided carpet tape to re-stick them. Make sure the tape is very thin as you don't want it to show at all. Also I have found to do the best job you should remove the grill and press from behind to get good adhesion. The badges have a recession and unless you press the cloth against if from the inside, the tape will only adhere to the edges and the badge will fall off again in a few weeks.