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HUG - here for all audio enthusiasts

At its inception ten years ago, the Harbeth User Group's ambition was to create a lasting knowledge archive. Knowledge is based on facts and observations. Knowledge is timeless, independent of the observer and can be replicated. However, we live in new world in which objective facts have become flexible, personal and debatable. HUG operates in that real world, and that has now been reflected in the structure of HUG.

HUG has two approaches to contributor's Posts. If you, like us, have a scientific mind and are curious about how the ear works, how it can lead us to make the right - and wrong - decisions, and about the technical ins and outs of audio equipment, how it's designed and what choices the designer makes, then the factual Science of Audio sub-forum area of HUG is your place. The objective methods of comparing audio equipment under controlled conditions has been thoroughly examined here on HUG and elsewhere and can be readily understood by non-experts and tried-out at home without deep technical knowledge.

Alternatively, if you just like chatting about audio and subjectivity rules for you, then the Subjective Soundings area is you. If upon examination we think that Posts are better suited to one sub-forum than than the other, they will be redirected during Moderation, which is applied throughout the site.

Questions and Posts about, for example, 'does amplifier A sounds better than amplifier B' or 'which speaker stands or cables are best' are suitable for the Subjective Soundings area. From Oct. 2016, Posts in the Subjective Soundings area will not be spell checked or adjusted for layout clarity. We regret that but we are unable to accept Posts that present what we consider to be free advertising for products that Harbeth does not make.

The Moderators' decision is final in all matters and Harbeth does not necessarily agree with the contents of any member contributions and has no control over external content.

That's it! Enjoy!

{Updated Jan. 2017}
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C7ES3 : Min. rear wall distance (and other placement constraints)

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  • #16
    Best compromise by adjusting toe-in

    You re Right Kumar

    The point is that i was very surprised about the sound impact of the Toe in.

    No toe (Weight with limited deep) extension of the bass (very nice on piano and cello) with very soft treble (detail is hidden in this area)
    With toe give more "air" (deep + Weight) with lot more detail on Teble and medium...but reduce also the bass "wave" not immerse by the bass wave on big orchestra.... This setup is perhaps more inline with the naim philosophy.

    So as alway we should find the best compromise to reach our current request of the "nice sound" (also affected by the music type.....so could change too ;-) )

    Anyway like my Harbeth so much

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    • #17
      Stands and practical issues at home

      Originally posted by Hififan View Post
      So as alway we should find the best compromise to reach our current request of the "nice sound" (also affected by the music type.....so could change too ;-) )
      A more useful tip then, that has worked very well for me. My stands are on casters (wheels) so I can move them around to easily position the speakers where I want. Most of the time they are tucked away near the walls, where dogs and even party people can't mess with them. For parties, I play them from where they are, and they sound pretty close to how they do from an optimum listening position. Which is where I wheel them out to when I know they will be safe from accidents. Since I had planned this early, the stands were made to a height spec that included the added height from the casters.

      This works very well for me. Got the idea from a fellow forum member here!

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