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HUG - here for all audio enthusiasts

INTRODUCTION- PLEASE READ FIRST TO UNDERSTAND THIS FORUM!

"This Harbeth User Group (HUG) is the Manufacturer's own managed forum dedicated to natural sound, realisable by controlling the confounding variables between tthe microphone and the listeners' ears.

For example, the design of and interaction between the hifi amplifier and its speaker load can and potentially will alter the sound balance of what you hear. To reproduce the sounds captured by the recording microphones, as Harbeth speakers are designed to do, you would naturally select system components (sources, electronics, cables and so on) that do not color the sound before it reaches the speakers.

Identifying components for their system neutrality should, logically, start with the interpretation and analysis of their technical, objective performance, as any and every deviation from a measurably flat frequency response at any point along the serial chain from microphone to ear is very likely to cause the total system to have an audible sonic personality. That includes the contribution of the listening room itself.

HUG specialises in making complex technical matters simple to understand, aiding the identification of audio components likely to maintain a faithful relationship between the recorded sound and the sound you hear. With our heritage of natural sound, HUG cannot be really be expected to guide in the selection, approval, endorsement or even discussion of equipment that is intend to introduce a significantly personalised sound to the audio signal chain. For that you should do your own research and above all, make the effort to visit an Authorised Dealer and listen to your music at your loudness on your loudspeakers through the various electronics offered there. There is no on-line substitute for that time investment in a dealer's showroom.

If you desire to intentionally tune your system sound to your personal taste, please consider carefully how much you should rely upon the subjective opinions of strangers. Their hearing acuity and taste will be different to yours, as will be their motives and budget, their listening distance, listening loudness and listening room treatment, not necessarily leading to appropriate equipment selection and listening satisfaction for you.

Alternatively, if faithfully reproducing the sound intended by the composer, score, conductor and musicians over your speakers is your audio dream, then understanding something of the issues likely to fulfill that objective is what this forum has been helping with since 2006. Welcome!"


Jan. 2018
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Inaudible High-Frequency Sounds Affect Brain Activity: Hypersonic Effect

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  • Inaudible High-Frequency Sounds Affect Brain Activity: Hypersonic Effect

    Here is an interesting study from Japan that challenges the notion that inaudible sounds do not affect the acoustic perception of audible sounds.

    http://jn.physiology.org/content/83/6/3548.full

    Note: The authors use "HFC" to denote high frequency components of sounds, above the audible range, below 22kHz. "LFC" denotes low frequency components of sounds, below the audible range, above 22kHz.

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    "Despite the fact that nonstationary HFCs were not perceived as sounds by themselves, we demonstrated that the presentation of sounds that contained a considerable amount of nonstationary HFCs (i.e., FRS) significantly enhanced the power of the spontaneous EEG activity of alpha range when compared with the same sound lacking HFCs (i.e., HCS). In parallel experiments employing exactly the same stimulus and methods, PET rCBF measurement revealed that FRS activated the deep-lying brain structures, including the brain stem and thalamus, compared with HCS. In addition, subjective evaluation by questionnaire revealed that FRS intensified the subjects' pleasure to a significantly greater extent than HCS did. We conclude, therefore, that inaudible high-frequency sounds with a nonstationary structure may cause non-negligible effects on the human brain when coexisting with audible low-frequency sounds. We term this phenomenon the “hypersonic effect” and the sounds introducing this effect the “hypersonic sound.” We do not think that the hypersonic effect is specific to the sound material used in the present study because we previously confirmed, by EEG analysis, that the same effect can be introduced by different sound sources containing a significant amount of nonstationary HFCs (e.g., Oohashi et al. 1994)."
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