LFD shipped their first batch of LFD LE IV Signatures to the United States based Fidelis distributors approximately three weeks ago. A Fidelis reseller sent one to me two weeks ago giving me the opportunity to trial and compare it to my LFD LE III. My speakers are the C7-ES3. I couldn't locate the LE IV Signature specifications perhaps they will soon be made available on the net.
LFD Integrated Zero Mk. III
* 60 watts into 8 ohms, each channel, stereo integrated amplifier.
* Bandwidth: 1 Hz - 50 kHz.
* One pair of MOSFETs per channel.
* Inputs: 5 line inputs, 1 tape loop.
* Outputs: 2 pairs of speaker terminals.
* Controls: Input selector, Input/Mute/Tape, Volume.
* Weight: 17.6 lbs.
* Dimensions:17" W x 2.5" H x 13" D
The LFD IV Signature appearance of the case is very similar to the NCSE, the dimensions are also more compact, yet the weight is heavier than the LE III:
17" W x 3.5" H x 8" D and 0.5 lbs heavier
The LE III plastic push button power switch has been replaced with a sturdy metal toggling switch that looks identical to the NCSE switch. The sharp edging of the LE III case has been replaced with smooth and more solid feeling heavy plate. The black color is also more pleasant than the silver color of the LE III.
Also please note that the LFD LE IV Signature is being sent to USA/Canada only and differs significantly from the international models, as was described earlier.
I want to stress that it took a week of playing 24/7 before the amplifier settled in, the sound after that period of time became strikingly improved. I realize that my reporting the sound quality was great enough to evoke a tearful moment only after a seven day break in period is not very scientific, but for me it was a significant revelation.
Comparing the sound of the Harbeth C7-ES3 and the LFD IV Signature to the
former LFD LE Zero Mk. III
Bass output is more rich, and complements the middle frequencies- never overtakes them. One need not and probably should dismiss the idea of consider a sub woofer which in my opinion and that of the reseller would probably muddy the sound quality. The bass output in both amplifiers was at all times never artificial, boomy or loud, however the bass "size" in the LE III was subdued by comparison.
Mid range instrumentation has additional clarity, not as great a difference as was the bass clarity when comparing the two amplifiers, but never-the-less noticeable. And lastly, something both odd and different. Bass vibrations with the LFD III and C7-ES3 could be heard coming at me and felt on my chest with the volume turned up sufficiently to do so , a pleasant experience and nothing that I find unusual. The bass with the the LFD LE IV Signature and the C7-ES3 is heard at the level of my ears and forehead, very different. You all can attest to how impressive the sound stage of your Harbeth speakers are when you have found your just right placement and toe in, and the predominating sound output is midline and slightly overhead. With the LE IV Signature it is significantly mid line and at ear level height more so than the LE III did. Wish I had a spectrograph analysis to display for the scientific readers, and I don't have the experience to write my subjective account in a more orthodox manner, but I did my best. And yes, I kept the LE IV Signature over the LE Zero Mk. III
[Edit: Had been considering a sub woofer to use with the LE III when It was being used with my P3-ESR. However, when I upgraded to the larger sized C7-ES3 it was evident that a sub woofer would not be needed with either amplifier. The LE IV Signature was purchased from Gene Rubin Audio in California who arranged for Fidelis in New Hampshire to ship directly to me.]
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