Amps and rooms: a sense of priority

Originally Posted by
Ned Mast
My belief is that far more than electronics affecting the sound one gets from one's Harbeth's, placement in the room will affect their sound. So I would just hope that those thinking of trying different ampliifers with their Harbeth's have first taken the time to try the speakers in various configurations in the room to arrive at what seems an optimal placement.
I agree: the commonly held belief that an amp designer (compared to what is a reality for transducer designers - microphones and speakers) has a vast bag of tricks available to somehow trash or gold plate the soundwave signals passing through his amp has always surprised me.
Undeniably, different design strategies - even different PCB layouts - do effect sound, measurably and sonically, but compared to the almost limitless list of technical/acoustic characteristic 'distortions' that can be attributed to even good speakers, the amp designers window of improvement is small indeed.
Domestic listening rooms make an acoustic mess of soundwaves to the point that is is nothing short of a miracle that we can hear through the peaks and troughs to be able to differentiate any detail at all. But we can. As you say, paying some attention to damping the room to kill the worst of the acoustics will reap dividends. That's where I'll be starting as I build a new listening room next month during closedown.
Alan
(in China)
Alan A. Shaw
Designer, owner
Harbeth Audio UK