Amazing clarity and astonishing bass from beautiful shoebox-sized speakers; the Harbeth P3ESR loudspeaker is the ultimate mini monitor. The clean, clear Harbeth sound, in miniature.
An all-around satisfying listen, the Compact 7ES-3 loudspeaker has fantastic micro-resolution and an electrifying clear presentation.
The Monitor 30.1 loudspeaker inherits the Reference standard sound of the acclaimed Monitor 40.1
The model line that launched the Harbeth company is universally revered for its big, beautiful sound. The SHL5plus loudspeaker version takes the Harbeth tradition of stunning musical involvement to another performance level.
The Harbeth Monitor 40.2 loudspeaker. Simply, the closest to actually being in the studio, but from the comfort of your own home. An advanced three-way design which gets the very best from Harbeth's drive unit mastery.
Crafted by one designer to convey the recording not to reinterpret it, there is consistent musicality right across the Harbeth loudspeaker range. The selection of the optimum Harbeth for your system is just a matter of size, power handling, and budget as all excel at believable, natural, realistic, engaging sound.
The fantastic tonality, the selection and use of the finest materials throughout and sourced from the best suppliers around the world all combine to a lifetime of listening satisfaction and pride of ownership. Customers regularly comment that their Harbeths are the best investment money can make.
The smallest professional-use Harbeth is the Monitor 20.1 loudspeaker. The trusted natural Harbeth sound in a form factor ideal for small spaces such as outside broadcast trucks, workstation-offices and editing suites. With an overall balance and bass extension that is designed to fool the listener into thinking the speakers are very much larger, recordings mastered on Monitor 20.1 loudspeakers can be signed-off as production ready.
The Monitor 30.1 loudspeaker is a perfect all-round solution for natural sound in a modest cabinet size and is especially convenient in a wide-range 5-7-11 or Dolby Atmos™ multi-channel sound authoring system.
This new, powered version of the popular Monitor 30.1 studio monitor makes the package even more convenient. Just plug-in an XLR line source, set the gain control and the Powered M30.1 speaker is a ready-to-go monitoring system. This combination is ideal for drama-LE monitoring in fixed and mobile installations.
The three-way Monitor 40.2 loudspeaker is the ultimate solution to 'Grade 1' audio monitoring, enhancing and modernising the sonic performance of the earlier models introduced in the late 1990s, themselves replacements for the obsolete two-way LS5/8.
Natural and accurate sound are not, in fact, essential requirements for a studio monitor. Fashion and taste feature highly in their selection. Harbeth speakers take monitoring to another level. They're uniquely easy to live with, coloration is very low, and the entire audio spectrum is correctly balanced. Instruments and voices sound real. Listening fatigue eliminated - a Harbeth trademark.
It's easy to claim that a speaker is a true monitor. In reality, if a speaker has a sonic personality, as many so-called monitors intentionally do, it is likely that the sound recording will itself be colored. For example, if the monitor loudspeaker speaker lacks detail, the sound engineer may boost the mid and top frequencies in the recording we buy to compensate for his speaker. If the monitor is bass shy, inappropriate bass could be added to the recording. Confidence in the monitors to 'tell it like it is' is vital if a genuinely high-fidelity sound recording is the objective.
Very few loudspeakers are capable of reproducing human voice convincingly, but that's a core capability of a Harbeth. If a speaker doesn't sound truly convincing on speech - and most loudspeakers don't - then natural and lifelike music reproduction is impossible.
Harbeth loudspeakers well-crafted dispersion and perfectly integrated bass/mid/top balance ensures they're the best choice for speech and music monitoring in even sparsely treated acoustic environments. Up close and personal they make great nearfield monitors too, thanks to the seamless blending of the drive units. Another Harbeth speciality.
Trusted in live recordings and post-production where balance mistakes are frustrating and can be costly, Harbeth monitors are designed to replay the authentic live sound from the microphones to the sound engineer as-is. Artistic decisions can then be made based on the music, not the characteristics of the speakers.